Projectile Arts' projects focus on communicating meaning and value through the arts. We serve a diverse community through documentary film, performances, exhibitions and education. We also offer video production services and for the non-profit sector to facilitate collaboration and resource pooling in the non-profit sector. We are also happy to provide fiscal sponsorship to individual artists and non-incorporated groups looking to find funding through private foundations and public trusts.
Take Me To The River is our first original feature length documentary
film (now blown up to a 35mm film print), about the Maha Kumbh
Mela in 2001, a Hindu festival and pilgrimage which was the largest
gathering in the history of the world. The film documents the
event by immersing you in the midst of the madness. Experience
a roller coaster of emotions as obscurity and clarity flow across
the crowded and dusty flood plain of Ganges and Yamuna Rivers.
Through misty dawns, crowded streets, peaceful moments and chaotic
sprints to the river, you'll journey into the Sangam, the physical
and spiritual heart of the Mela where sins are cleansed, bathers
can escape infinite karmic cycles and world peace is possible.
You'll meet Swamis from the largest and most prestigious Hindu
holy orders, ascetic naga babas, boatmen, policemen and pilgrims.
Projectile Arts grew out of its infancy while spending most of
2001 in Allahabad, India filming. Our newly renovated second floor
and roof deck tent of Adi Veni Madhav Mandir quickly became a
thriving live / work space for over twenty artists, both local
and foreign, including a fashion designer, a painter, photographers,
writers and musicians. The influence of the filmmaking process
on these artists, the intense environment into which they were
thrown, and their unique, independent artistic visions, created
a wonderful breeding ground for collaboration that continues to
infuse the work we make today.
It has been described as "the
Super Bowl and World Series rolled into one". Even those Japanese
who are not ardent baseball fans pay attention during Koshien. Many
see it as a national treasure - an old-fashioned showcase for the
purest virtues of the nation?s youth: effort, teamwork, fighting spirit,
and good sportsmanship. Every young baseball player dreams of one
day competing on the sacred dirt of Koshien. The history of the tournament
is replete with legends of stoic young heroes overcoming tremendous
adversity. Japan's most famous baseball legends, from Sadaharu Oh
to Hideki Matsui and Ichiro, were first introduced to the nation on
the biggest stage of them all.
Coca leaves are commonly used
for divination. The veins of coca leaves are pathways through
the mysteries of the ancient past as well as the mysteries of
our own age. It is said that the virgin Mary chewed on the coca
as she lamented the loss of her son leaving her teeth marks on
the back of the Coca has always been a dynamic force within Andean
society – more recently it is dynamic in that society’s
relation to the world. Alternately a unifier and a polarizer,
a scourge or a boon, coca has fallen in and out of the favor of
kings, popes, and presidents. To emphasize the strange continuities
and contradictions that come into play, the film will move both
backwards and forwards in time, beginning in the present and the
primordial past, and move towards a convergence which will expose
the tension that is still winding, and that the indigenous believe
cannot resolve until they have wrested total control of the state.
ASCETICS WITH CAMERAS -
Community Outreach Programs & Projects (Cross-Cultural Exchange / Experiential Multimedia Education)
As a TMTTR spin off project, Ascetics with Cameras grown over the years into a seva (volunteer service) organization providing multimedia services, tools and training to Shiva’s Army – the sadhus & sadhvis of Juna Akhara – since 2004. It is our mission to not only provide multimedia tools to document the existence of these ascetics, but more importantly to train the members of Juna Akhara to document themselves, thus empowering these ascetics to participate in the process of media-making to which their Akhara has been subject for centuries. PROJECTS & PROGRAMS include: • Photo Giveaways • Multimedia Archives (photo, video, audio) •Photography Training Program • “Her-story” Video Production Program • Juna Akhara Documentary Project and • Seva Services Program. Ascetics with Cameras is based throughout India and led by Nicole Jaquis – produced by relativelyLocal, in collaboration w/ Juna Akhara, with support by Projectile Arts.
SIDE & PAST PROJECTS:
A new department led by multi-cultural performance artist Akim
Funk Buddha, explores the urban environment as a confluence
for different traditions of creative expression and performance.
True mixing and intermingling of cultures happens only in urban
centers. The department of
Urban Affairs produces
events that examine this phenomenon in different ways through live
performance, music and film.